Marti Epstein's "Origami" (2012) for bass clarinet & marimba. Written for Transient Canvas. This performance is from October 15, 2015 on the debut concert of the Equilibrium Ensemble in Cambridge, MA.

 

Origami was written for the Boston-based duo, Transient Canvas (Amy Advocat, bass clarinet and Matt Sharrock, marimba). There are 4 different types of music in the piece which repeat and juxtapose in various different ways - almost as if they fold in on themselves - hence the title! The first music is a series of slow chords - the marimba accompanied by repeated notes in the bass clarinet. The second type of music is a long unison melody in which the two instruments start out at different points, and gradually, each time it is heard in the piece, the two instruments come closer and closer together. The third is a series of tremolo chords, and the fourth is a 3-chord staccato figure.

 

Marti Epstein (November 25, 1959) started studying composition in 1977 with Professor Robert Beadell at the University of Nebraska.  She has degrees from the University of Colorado and Boston University, and her principle teachers were Cecil Effinger, Charles Eakin, Joyce Mekeel, Bunita Marcus, and Bernard Rands.

Marti was a fellow in composition at the Tanglewood Music Center in 1986 and 1988 and worked with Oliver Knussen and Hans Werner Henze.  As a result of her association with Henze, she was invited by the City of Munich to compose her puppet opera, Hero und Leander, for the 1992 Munich Biennale for New Music Theater.  She was on the jury for the 1994 Biennale.

Marti has received commissions from the Paul Jacobs Memorial Commissioning Fund, the CORE Ensemble, ALEA III, Sequitur New Music Ensemble, the Fromm Foundation, guitarist David Tanenbaum, the American Dance Festival, the A*DEvant-garde Festival of Munich, tubist Samuel Pilafian, flutist Marianne Gedigian, the New England Brass Quintet, the Iowa Brass Quintet, Boston Conservatory, Boston University Marsh Chapel Choir, pianist Kathleen Supové, the CrossSound New Music Festival of Juneau Alaska, the Pro Arte Chamber Orchestra of Boston, the Radius Ensemble, the Ludovico Ensemble, and the Callithumpian consort. The Longy School of Music commissioned her to compose Quartet for BSO English horn soloist Robert Sheena to be played at the Inauguration of Karen Zorn, their new president. Marti’s music has been performed all over the world by ensembles, which include the San Francisco Symphony, the Radio Symphony Orchestra of Frankfurt, the Atlantic Brass Quintet, and Ensemble Modern.

The Atlantic Brass Quintet, Sequitur New Music, The Seattle Trumpet Consort, pianist Kathleen Supové, guitarist Ulf Golnast, Robert Sheena with the Boston Conservatory Wind Ensemble, and the University of Iowa Brass Quintet have recorded Marti’s music.  She was a resident at the MacDowell Colony in 1998 and in 1999.  She was a recipient of a 1998 Fromm Foundation Commission, and she won the 1998 Lee Ettleson Composition Prize.  She is a recipient of a 2005 grant from the Massachusetts Cultural Council.

Mart is an active pianist and a devoted teacher.  She plays prepared piano with guitarist David Tronzo in the Epstein/Tronzo Duo.  She is Professor of Composition at Berklee College of Music, where she has taught harmony, counterpoint, and composition since 1991, and is also on the faculty of Boston Conservatory.